Friday, May 3 2013

These concert listings come courtesy of the following sites: Concerto, Concertino, and Portal VivaMusica in Brazil; ConcertDiary in the UK, Instant Encore in the US, and La Scena Musicale in Canada. Another valuable concert listing website: Bachtrack.

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Key 1

Quarteto Simbólico at UNM

Date: 
05/03/2013 - 17:00
Location: 
USA: Albuquerque NM
Work Performed: 
Quarteto simbolico
3 May 2013, 17:00
Keller Hall, University of New Mexico
Albuquerque, New Mexico
Quarteto Simbólico
Jennifer Lau, flute; Eric Lau, saxophone; Lynn Gorman-DeVelder, harp; Fred Sturm, celeste; Las Cantantes women's chorus, Maxine Thevenot conductor.
Key 1

String Quartet #06 in Lethbridge

Date: 
05/03/2013 - 20:00
Location: 
Canada: Lethbridge AB
Work Performed: 
String Quartet #06

Lethbridge Symphony
Chamber Series V

Friday, May 3, 2013
Doors: 7:30 pm (after sound check)
Performance: 8:00 pm

Sarabeth Baldry, cello II

Musaeus goes Latino in this delightful program of Argentinean and Spanish composers. Two dancers join the quartet for an evening of Tango, romance and intrigue.

Boccherini String Quintet in E Major, Op. 11 No. 5
Piazzolla Tangos
Villa-Lobos String Quartet No. 6 (1938)

Key 1

Alexandre Tharaud plays BB#3 in Barcelona

Date: 
05/03/2013 - 21:00
05/04/2013 - 19:00
05/05/2013 - 11:00
Location: 
Spain: Barcelona
Work Performed: 
Bachianas Brasileiras #3

22 THE OBC WITH ALEXANDRE THARAUD
Hall 1 Pau Casals
Sessions
03/05/2013 21:00
04/05/2013 19:00
05/05/2013 11:00

Prices from: 23 €

PERFORMERS

ORQUESTRA SIMFÒNICA DE BARCELONA I NACIONAL DE CATALUNYA (OBC)
Hernández Silva, conductor
Alexandre Tharaud (Portrait of an artist), piano
WORKS

BACH: Concerto for keyboards and orchestra in D minor, BWV 1052
REVUELTAS: Redes
VILLA-LOBOS: Bachianas brasileiras no. 3
GINASTERA: Estancia. Suite

Alberto Ginastera is one of the most important Argentinian composers and educationalists in history. His music is a unique blend of folk, South American dance and the compositional techniques of the twentieth century that he learned in the United States, where composers of the likes of Hindemith, Schönberg and Bartók himself went into exile after 1945. Estancia (1941) is an early suite, a clear exponent of Argentinian musical nationalism and true compendium of the Gaucho style, which is an abundance of hugely energetic dances, as can be seen in the final Malambo. In the same vein, the sound portrait of Brazilian composer Villa-Lobos is a perfect mixture between the weight of European tradition and the rhythms of his country: the Bachianas Brasileiras mark the culmination of this two-way encounter, which goes perfectly with the Bach concerto played by French pianist Alexandre Tharaud. We will end our taster in Mexico, with the work that made composer Silvestre Revueltas famous all over the world, Redes (1935), one of the century's major pieces of film music.